TPI Magazine: September 2021
Yamaha RIVAGE PM5 Mixes 9 to 5
“Finally, with the advent of a RIVAGE PM5 at this price point and specification, I now have the chance to revisit my roots.”
https://www.tpimagazine.com/yamaha-rivage-pm5-mixes-9-to-5/
PSN EUROPE: February 2017
Five Guys in the Spiegeltent
“The signature circular Spiegeltent structure was the venue for the musical Five Guys Named Moe for Edinburgh’s Christmas on Stage event, which presented a number of sound design challenges. ”
http://www.psneurope.com/five-guys-in-the-spiegeltent/
PSN Europe: August 2016
View from the top: The sound designer (Ben Harrison)
“Every show I design throws up new challenges to overcome, which means the learning never stops. ”
http://www.psneurope.com/view-from-the-top-the-sound-designer-ben-harrison/
Lighting & Sound International: March 2014
Happy Days are here again with Yamaha
“Designed by Ben Harrison and supplied by Orbital Sound, the show’s audio production features a Yamaha CL5 at front of house, with i/o from two Rio3224-D units. ”
http://images1.lsionline.co.uk/news/story/Happy-Days-are-here-again-with-Yamaha/-4EIEWJ
Yamaha Comercial Audio: May 2013
Piaf Sings A Hymne à L’amour… To The Yamaha CL3
“Sound designer Ben Harrison chose a Yamaha CL3 for the production, which helped it to earn four star reviews in the national media.”
http://www.yamahaproaudio.com/global/en/news_events/newsrelease/2013/0521_10_piaf.jsp
Pro Sound Web: February 2013
Cabaret Performed with d&b at the Savoy Theatre in London
“Ben Harrison, sound designer, created a system based around older elements from d&b audiotechnik to create the ambiance he felt the production required.”
http://www.prosoundweb.com/article/cabaret_performed_with_db_at_the_savoy_theatre_in_london/ben+harrison
Orbital Sound The Spin: May 2012
Starlight Express
“The Spin caught up with Ben just before Starlight Express opened at the Alhambra Theatre & Studio in Bradford, following its successful premiere at the New Wimbledon Theatre, near London, in May. Ben speaks about his approach to sound design, while giving us some insights into his preferred choice of hardware and the more significant technology developments.”
http://www.orbitalsound.com/pressarticle.asp?AID=326